Their musical language subtly updates that of Joplin without in the least sacrificing its character.
Bolcom's Ghost rags are charming and thorougly idiomatic, not exercises at all but tributes, of the highest order, to a neglected American music. The works from ragtimes revival era, including those by William Albright, William Bolcom, Eugene Kurtz, George Rochberg, and more recently Carter Pann. Slower and sweeter than the other two, it still comes with surprising harmonies, tricky syncopations, and langorous melodies that might provide numerous opportunities for some smoky-eyed heroine to toss her hair. One writer has described it as a "white telephone rag," and of the three rags in the set this one is the most redolent of the old-time serials. Scott Joplin: Country Club, ragtime two-step for piano. The music takes several entertaining jaunts down long hallways to dead ends before reluctantly coming to a conclusion. Play William Bolcom on SoundCloud and discover followers on SoundCloud Stream tracks, albums. The second Ghost Rag, titled Poltergeist (Rag Fantasy), does not make an outward show of being haunting but nevertheless sounds more ghostly, with suspended appoggiaturas, unexpected harmonies, and syncopations that snap a bit more than those of Graceful Ghost. But his secret delight is the music of ragtime. Bolcom has also prepared a very effective transcription for violin and piano of this rag. American composer William Bolcom has made some 30 CDs of popular American music and more than 100 CDs with his other music on them. An elegant melodic curve, gentle minor-mode harmonies, and an expert use of the flowing syncopations of ragtime rhythm make the piece feel wistful and noble at the same time. The ghost who stalks these pages is indeed a graceful and welcome presence.
Bolcom wrote the first of these rags, Graceful Ghost, in memory of his father, and it has become his single most famous work. At the piano, composer and raconteur William Bolcom charms the audience with his engaging patter. His Ghost Rags of 1970, which were named as a set by the pianist Paul Jacobs, have become the best-loved of his ragtime explorations, and Bolcom invests these essays in old-time music with style and wit. Ragtime music first appeared in the 1880s in the saloons and brothels centered around St. Traversing Broadway, vaudeville and music hall, performing music from the ragtime era to the end of the 20th century, the duo of William Bolcom and Joan Morris have delighted audiences across the United States and around the world since 1973. The exploration of this master's oeuvre spurred several American composers to write rags of their own, including William Bolcom. Ragtime Reflections: Three Dedications 4:43 21.In the late '60s, there arose a renewed interest in the music of the greatest ragtime composer, Scott Joplin. Ragtime Reflections: Drama, Dissonance, and the Influence of Bach 7:12 20. He wrote rags in programmatically related series. He wrote pieces that approximated the models of Joplin and others (most of these are denoted by the title 'Classic Rags,' although these are not mere imitations). Ragtime Reflections: William Bolcom, Improvisation, and Breaking the "Rules" of Ragtime 6:27 19. Bolcom approached classic piano ragtime in a variety of ways. Ragtime Reflections: Swing Rhythm, Swing Feel - Beethoven vs. Ragtime Reflections: Levels of Syncopation 4:24 17. Ragtime Reflections: America's Original Mashup 3:39 16.
William bolcom ragtime movie#
Bolcom may have had a hand in Joshua Rifkin’s famed Joplin recordings, which were used in the movie The Sting. He helped to mount Scott Joplin’s ragtime opera Treemonisha, has performed Joplin and much of the ragtime repertoire. Ragtime Reflections: Rifkin, Rolls, and Rediscovering Ragtime 1:21 15. William Bolcom has been an important exponent of the ragtime revival. Ragtime Reflections: The Journey 0:40 14. Kinhaven Sonata Finale (For Clarinet and Piano) 3:52 12.
0 kommentar(er)
